Posts Tagged ‘breaking dawn’

Böckerna i bokhyllan i Breaking Dawn part II

 

Jag vet inte hur många av er som sett Target-klippet (jag är inte en av dom), men Foforks har gjort en närmare undersökning för att se vad Edward och Bella har ståendes i bokhyllan.

 

 

  1. JRR Tolkien – The Hobbit or The Lord of the Rings.
  2. The Turtle Catcher – Nicole Lea Helget
  3. Genesis – Bernard Beckett
  4. The Seance – John Harwood
  5. The Ignorance of Blood – Robert Wilson
  6. Hungry Monkey: A Food-Loving Father’s Quest to Raise an Adventurous Eater – Matthew Amster-Burton
  7. Jose Saramago
  8. The Turtle Catcher – Nicole Lea Helget
  9. The Merchant of Venice – William Shakespeare
  10. The Servants’ Quarters – Lynn Freed
  11. The Idea of Love – Louise Dean
  12. Don Quixote – Miguel de Cervantes
  13. Hello, Everybody! The Dawn of American Radio – Anthony J. Rudel

De verkade i alla fall tycka om The Turtle Catcher av Nicole Lea Helget – två ex av den boken! (2 & 8)

twifans


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BD part I toppar Top Ten Best Film Scores/Soundtracks of 2011

 

Soundtracks Examiner har gjort en lista och vilket score soundtrack toppar inte den listan om inte det senaste Twilight-soundtracket komponerat av Carter Burwell?

twifans

 

1. THE TWILIGHT SAGA: BREAKING DAWN – PART 1, composed by Carter Burwell

Go ahead, call me a sellout. But I don’t think Carter Burwell has ever been given his due for his enormous contributions to film music. And the man continues to plow forward as one of the most creative minds in compositional minimalism as well as full-bodied orchestration. While he was probably disqualified for nomination at this year’s Academy Awards for Breaking Dawn – Part 1 because it was anchored heavily to the original Twilight score, his work was no less remarkable. I would go so far as to say that it was actually better than the original, given that, although he laid the original template for the Twilight sound, he was coming back into the fold on the heels of critical heavyweights Alexandre Desplat (with whom the Academy also bears an unspoken beef) and Howard Shore. Burwell fearlessly picked up the baton and ran with it, giving us a romantic score easily on par with Nino Rota’s Romeo & Juliet (which was also unceremoniously snubbed by the Academy in 1969). [Read more of my thoughts on Carter Burwell's Twilight contribution here.]


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