Nu har en del av intervjun som Dakota Fanning har med Marie Clair kommit ut, plus massa bilder och en bakom kulisserna video, ni ser allt i detta inlägget ;)

Om hennes första kyss på stora skärmen – som var med Kristen:

”Nu är det över, det var med min kompis och med en tjej – ingen press,” berättar Fanning för mig, med ett leende och smått generat. ”Det var inget som Cherie [Currie] och Joan [Jett] någonsin snackade om, och det var så som det filmades in – som att det inte var någon stor sak.

Om att inte vara ett litet barn längre:
”När du börjar som ung så blir folk lätt fasta vid bilden om hur du var då du var 6 år,” säger Fanning. ”Jag hoppas att The Runaways var ett stadium där det var liksom ‘Du vet, jag är inte den lilla tjejen längre, men jag är inte vuxen heller’.

The dress code at Campbell Hall, the private Episcopal school in North Hollywood, California, once attended by Mary-Kate and Ashley Olsen and now by Dakota Fanning and her little sister, Elle, is strict: khaki skirt, shorts, or trousers, white collared shirt, navy sweater, closed-toed shoes. ”You could actually wear this,” says the elder Fanning — wide-set, frank blue eyes; fair hair; milk-white skin; and the wispy limbs of a John Currin painting — flouncing her skirt, a cream-colored silk pouf, and in the process gaily jangles a wristful of bangles. We are sitting opposite each other in a quiet booth at the Sunset Tower Hotel, in Los Angeles. Her skirt might be passable, I think, but that little distressed white cotton tank with the bra peeking out could be grounds for detention. Ditto the 5-inch, brown Marni wedge sandals that were a present for her 16th birthday, in February, and that add significantly to her petite, not-quite-5-foot-4 frame.

And her costumes for last spring’s The Runaways would have probably gotten her expelled. The movie tells the story of the rise and fall of Joan Jett’s first band, an all-girl hard-rock ensemble (dubbed ”glam-punk” by some) that emerged in the mid-’70s. As the 15-year-old lead singer and Jett sidekick Cherie Currie, Fanning played part naïf, part sexed-up jailbait, in a frost-white wig, fishnet stockings, and an S&M corset. All in a moment, Fanning went from being an adorable if talented ”child star” to the full-fledged genuine article, and critics took notice. Reviewing The Runaways in The New York Times, A.O. Scott gushed: ”Ms. Fanning, who has shown herself a remarkably disciplined and self-aware actress almost since toddlerhood, displays heartbreaking vulnerability as well as frightening poise.” The Denver Post called her performance ”uncorked.” The message was unmistakable: She had popped.

För att läsa mer av intervjun + se mer bilder, klicka er då vidare!